John Tennant and part of the Nativity window at St Mary the Virgin, Bucklebury.
The sundial and fly.
Great excitment Thursday morning because in loading up the car we discover that mine hosts have a whole gaggle of beautiful hens, some of which lay blue eggs, which got CM thinking about expanding his flock again.
A short drive to Bucklebury to interview John Tennant about the windows in the church and take some more shots to supplement the filming we had done there a couple of years back for ART? It's just a job! (the Brangwyn film commissioned by Goldmark Gallery, Uppingham) - but you all knew that I guess. Another good session and I took a photo of the fly in the glass reminding us that tempus fugit! A good reason to carpe diem!
And thus back to Film Farm, two rather weary souls, but all is not over yet, because on Friday CM has to put all the film rushes onto DVD for me, together with built-in timecodes, and the stills on to a CD, and we also had a telephone interview with Martin Adams about the iniquitous events at the William Morris Gallery for DRIFTWOOD's first rant session. And we recorded some links and CM made the most wonderful intro from the sound of the sea and gulls at Dawlish and the harp and hang we taped in Dublin (see 12 September 2007). AND he treated himself to a coal fired Fish and Chips from Stickney for lunch, the latest 'find' (I succeeded in ducking out and opted for anchovy fillets and artichoke hearts and some killer Lincolnshire Poacher).
Farraginous, Falemic, Flapdoodle February.
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